
The film, grounded in the photo series titled "Right to be Flawed"—published on a-part.online, the official publishing platform of the Kadıköy-based aesthetic-modernist art collective apart Art Association—is a short videographic essay that aims, through a practice-based experiment, to test French thinker-sociologist Jean Baudrillard’s theory of simulation, the imperfection–perfection dichotomy within that theory, and the implications of this dichotomy in the context of art and image regimes.
The film, grounded in the photo series titled "Right to be Flawed"—published on a-part.online, the official publishing platform of the Kadıköy-based aesthetic-modernist art collective apart Art Association—is a short videographic essay that aims, through a practice-based experiment, to test French thinker-sociologist Jean Baudrillard’s theory of simulation, the imperfection–perfection dichotomy within that theory, and the implications of this dichotomy in the context of art and image regimes.
The film, grounded in the photo series titled "Right to be Flawed"—published on a-part.online, the official publishing platform of the Kadıköy-based aesthetic-modernist art collective apart Art Association—is a short videographic essay that aims, through a practice-based experiment, to test French thinker-sociologist Jean Baudrillard’s theory of simulation, the imperfection–perfection dichotomy within that theory, and the implications of this dichotomy in the context of art and image regimes.
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9m
December 27, 2025
en
$100
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